Papers will be reviewed by a committee including architectural professors from the Oslo School of Architecture, the Dublin School of Architecture, the Royal Danish Academy of Fine Arts School of Architecture, University of Houston, School of Architecture, Ball State University, and University of Minnesota. Send submissions to The Royal Danish Academy of Fine Arts, School of Architecture, Philip de Langes Alle' 10, 1435 Copenhagen K, Denmark, and go to www.eaae.be for more information.
December 7, 2007
Analogue or Digital: Copenhagen Calls to Question Role of Digitalization in Architectural Research
Papers will be reviewed by a committee including architectural professors from the Oslo School of Architecture, the Dublin School of Architecture, the Royal Danish Academy of Fine Arts School of Architecture, University of Houston, School of Architecture, Ball State University, and University of Minnesota. Send submissions to The Royal Danish Academy of Fine Arts, School of Architecture, Philip de Langes Alle' 10, 1435 Copenhagen K, Denmark, and go to www.eaae.be for more information.
March 4, 2007
From the Ground on Up: Architecture for Humanity takes on Leadership in Biloxi Mississippi

This pooling of resources represents a shift in the way society understands the true potential of design. Historically, architecture's primary purpose in the public realm has been to create national identity in order to compete with other countries. The largest surges in architectural innovation have been fueled by national pride, and have benefited not any given individual, but rather the invisible entity we call a country a state, a province, or what have you. With increasing global environmental hazards, will architects and planners rise to the challenge of aiding those who have been disaster stricken? Architecture for Humanity shows positive signs of this effort becoming more and more of a reality.

February 26, 2007
Olympic Developments; In with the Old, Out with the New

Comment to How Green Will the London Olympics Be?
by Bonnie Alter
I appreciate your point that the environmental standards of the project are being put under tight review and are seen as possibly being not strict enough, while the idea of local indigenous communities being destroyed doesn’t raise concern. This gets into the issue of what is more sustainable: buying a brand new hybrid car, or just repairing the old one in the garage? Although I do believe it is more environmentally sound to take better advantage of existing structures and public spaces than to erect new ones that cause more pollution and create other environmental dilemmas, I do think the creating of a new Olympic Village is vital. Having not seen the full competition documents for the London Village, it is difficult to access whether the design would complement the Olympic Ceremony, but in the past, and in other proposals, the designs for these “global villages” represent international community and promote peace among nations. The erecting of new structures is symbolic of this effort and, without it I believe that the potency of the project would diminish. Given that, by erecting a building that is “green” is by all means appropriate in that it represents the global effort to be more environmentally efficient.
Comment to “Coliseum preps for face-lift; Games plan leaves the historic portion of stadium untouched” by Rick Orlov


Labels:
Architectural Projects,
Development,
Sustainability
February 20, 2007
Stitching Up the Gaps: The Architecture of Fashion
This project is contrasted with architect Jean Nouvel’s “light screen” for the Arab World Institute where metal patterns function as apertures that open and close mechanically to allow varying degrees of light through to the inside of the building. This concept came from the Islamic latticework screen that traditionally is used to prevent a woman inside from being seen. Here social paradigms relating to personal identity and self-expression are mirrored in Nouvel’s design. By beginning the exhibit with projects that are non-traditional, however share such direct similarities; there is an immediate interest in the potential of both fields as well as a curiosity into how the two trades correlate.
The ideas made apparent in Skin + Bones represent the cross disciplinary-effort to advance societies notion of perceived space. By focusing on the most current of projects, the exhibit is projecting the direction of the future by identifying the radically progressive state of these fields today. In relating concepts seen in history to today’s high tech society, architecture’s imminent potential as a tool to redefine the urban condition becomes increasingly apparent.
February 10, 2007
Zaha's Performing Arts Center in Abu Dhabi: "Biological Beauty" or "Tourist Trap"
Comment to Zaha Hadid in Abu Dhabi: Update from "Deezeen":
Comment to Keeping Up with the Jonses from "3 Quarks Daily":
Labels:
Development,
International,
Public Works,
Recent Projects
January 30, 2007
The Frontyard is the New Backyard: Los Angeles Undergoes Urban Rehabilitation

Los Angeles architecture, from its beginnings, has embraced the relationship between indoor and outdoor space. As seen in the case study house project of the 1950’s (pictured at right) as part of the Modern Movement in America, the backyard was viewed as an essential part of every Angelino’s home. As such, the Southern California lifestyle was fully realized; summers could be spent by the poolside, where neighborhood barbecues and simple games of hide-and-go-seek could be enjoyed.
One such avenue by which to solve Los Angeles’s need for public space is the creation of new urban parks. But many might wonder: if there is such a lack of outdoor space, where can we find room to fit new parks? The answer is double-edged. First, there is ample space, if you are willing to get in your car and drive; and second, there is enough space, if the city converts its unused government-owned land. Both of these concepts are at the forefront of the search for public area within the Los Angeles region.



January 28, 2007
Cyber Space: Recent Projects Bridge the Disciplinary Divide Between Multimodal Medias and Architecture

Recent projects bridge the disciplinary divide between multimodal medias and architecture. This juncture represents the willingness of design professionals to seek new ways of defining how we, as a culture and society, perceive the built environment. Within a historical context, this trend can be seen as parallel to the Modern Movement in architecture, which resulted from the radically new methods of production and introduction of new building materials, such as the research done by engineer Henery Bessemer, during the industrial revolution in Britain at the turn of the 19th Century. The current trend in architecture similarly deals with a rapidly expanding scope of new media types that provide today’s artists, architects, and designers with a fresh vehicle by which their artistic disciplines may be advanced.
This project takes the user’s interface with the work as its point of departure. By allowing the user to make choices based on his or her own aesthetic or intellectual prerogative, the user is able to influence the direction of the interactive narrative. The experience of Labyrinth thus enables a more natural progression that is based upon individual choice and preference rather than the authoritarian dominance of the creator. Architecture, in a similar way, however strictly designed by the architect to promote a specific architectural experience, is ultimately contingent upon the choices made by the person who is occupying the space. Thus, the perception of a particular environment, be it a public gathering space, a bustling streetscape in a business district, or the more private quarters of a domestic environment, can all differ from person to person based upon their choices of how to circulate within a building or public space, how they interface with the space, as well as what they focus on as their own architectural points of interest.
When contrasted against classical notions of built environment, it becomes particularly apparent how radically different modern day conceptions of space are. Within his treatise Ten Books of Architecture, writen before 27 B.C, Roman architect and engineer Vitruvius outlined how architectural design should and must be conducted to best support the function of the state as a whole. Vitruvius delineates the architectural process exhaustiveley, whereby methods of city planning, the composition of building facades, and the proportions of design elements, are universally mastered to achieve a preconceived solution and cohesive architectural experience. Modern architecture, I would argue, although casting away the stylistic elements of the Classical schools of architecture as were paramount during the Italian Rennaisance of the 16th century, did not circumlocute the Vitruvian ideal, that embraces a rigid design methodology as the means of achieving an intended reaction by the occupant.
Here is where the advent of multimodal media types, such as interactive media, has intervened. Projects such as Labyrinth are indicating the tendency to move away from the design solution as an absolute or known entity, but rather towards viewing the design as being variable, and dependent upon the choices of the person experiencing the art form. It is exciting that this view is not tied down to one disciplinary field, but instead bridges across professional boundaries: “Labyrinth is committed to creating a productive dialogue between the immersive language of cinema and the interactive potential and database structures of digital media.”


Labels:
Architectural History,
Cinematography,
Multimedia
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